The easy version of this business is bolting a standard sheet of glass behind an off-the-shelf water feature and calling it integrated. We don’t do that — every panel in our library is engineered around how a specific flow behaves against its specific surface, which means the glass and the water are designed together from the first sketch, not paired up afterward.
That’s a slower, more expensive way to build a fountain. It’s also the only way to get a piece where the water’s texture and the glass’s texture are actually the same idea rendered twice.